About the Book Nadia Bozaks innovative fusion of film studies and environmental studies leads her to make provocative connections between the disappearance of material resources and the emergence of digital media--with examples ranging from early cinema to Dziga Vertovs prescient eye, from Chris Markers analog experiments to the digital work of Agns Varda, James Benning, and Zacharias Kunuk. Book Synopsis Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even todays green movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the hydrocarbon imagination has been central to the development of film as a medium. Nadia Bozaks innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media--with examples ranging from early cinema to Dziga Vertovs prescient eye, from Chris Markers analog experiments to the digital work of Agns Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them. Review Quotes Bozak looks at the many issues surrounding the relationship between film and the natural environment. The book is at the intersection of many disciplines and will thus likely prove thought provoking for a wide range of readers. It is an ideal volume for serious students of film and environmental studies. Highly recommended. -- Choice (4/1/2012 12:00:00 AM) Bozaks arguements are illuminating and thought-provoking. The Cinematic Footprint is a must read for anyone interested in the developing canon of ecocinema studies. -- Interdisciplinary Studies in Literature and Environment (5/1/2012 12:00:00 AM) Revelatory. Bozak is passionate and occasionally poetic. -- Afterimage (11/20/2012 12:00:00 AM) Very few recent books on cinema genuinely deserve to be called groundbreaking. This, by all means, is one of them.--Paolo Cherchi Usai author of The Death of Cinema (6/28/2011 12:00:00 AM) Highly original and beautifully written, Bozaks groundbreaking work adds an essential new dimension to the act of critically viewing film. I have long been awaiting a book that brings environmental matters into the heart of film and media studies!--Lisa Parks University of California, Santa Barbara About the Author NADIA BOZAK holds a PhD in comparative literature from the University of Toronto. She is also a published novelist.