About the Book Mediamorphosis compiles articles by some of todays leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafkas work and the cinematic medium. Book Synopsis The idea of a visual manifestation of the work of Franz Kafka was denied by many--first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover of Metamorphosis . Be that as it may, it is unlikely that such a central progenitor of twentieth-century art and thought as Kafka can be fully understood without reference to the revolutionary artistic medium of his century: cinema. Mediamorphosis compiles articles by some of todays leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafkas work and the cinematic medium. The volume approaches the theoretical integration of Kafka and cinema via such issues as the cinematic qualities in Kafkas prose and the possibility of a visual manifestation of the Kafkaesque. Alongside these debates, the book investigates the capacity of cinema to incorporate and express the unique qualities of a Kafkaesque world through an analysis of cinematic adaptations of Kafkas prose, such as Michael Hanekes The Castle (1997) and Straub-Huillets Class Relations (1984), as well as films that carry a more subtle relation to Kafkas oeuvre, such as the cinematic works of David Cronenberg, the films of the Coen brothers, Chris Markers film-essay, Charlie Chaplins tramp, and others. About the Author Shai Biderman is professor of philosophy at Tel Aviv University. He teaches film and philosophy at TAU and at Beit-Berl College, Israel. He is the coeditor of The Philosophy of David Lynch . Ido Lewit is a PhD candidate in the Department of Film and Television at Tel Aviv University.